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Por nada estéis afanosos, sino sean conocidas vuestras peticiones delante de Dios en toda situación, mediante la oración y la súplica, con acción de gracias. Y la paz de Dios, que sobrepasa todo entendimiento, guardará vuestros corazones y vuestros pensamientos en Cristo Jesús. – Filipenses 4:6-7
La oración es una práctica profundamente personal y significativa para muchas personas en todo el mundo. Es una forma de conectar con Dios y expresar gratitud, pedir guía o ayuda y encontrar consuelo en momentos de necesidad. Para algunos, la oración es una práctica diaria que les ayuda a sentirse centrados y enraizados, mientras que para otros es una práctica más ocasional o situacional. Independientemente de las creencias o la afiliación religiosa de cada uno, la oración puede ser una herramienta poderosa para la autorreflexión, la atención plena y la sanación emocional. También puede proporcionar un sentido de comunidad y propósito compartido cuando se practica con otras personas. Muchas personas encuentran que la oración les ayuda a cultivar un sentido y un propósito más profundos en la vida y les aporta una sensación de paz y serenidad.
Es hermoso ver cómo la oración puede ayudarnos a construir una relación más fuerte con Dios. Tanto si optamos por recitar oraciones más formales como si nos expresamos con palabras sentidas y espontáneas, podemos estar seguros de que Dios comprende nuestras emociones y pensamientos. Como cristianos, es importante que participemos en esta comunicación y sigamos la orientación de «alegraos siempre, orad sin cesar, dad gracias en toda circunstancia; porque esta es la voluntad de Dios para con vosotros en Cristo Jesús.»
¡Bienvenidos a Todos los Santos! Nos complace darle la bienvenida a nuestra comunidad de culto. En Todos los Santos, nos reunimos para ofrecer un culto reverente a Dios cada domingo y en ocasiones significativas a lo largo del calendario litúrgico. Nuestros servicios de culto se inspiran en las ricas tradiciones del Libro de Oración Común de 1979, que nos cimientan en rituales intemporales.
Cuando nos reunimos en el santuario para el culto comunitario, entramos en la presencia divina de Dios. A través del acto sagrado de partir el pan, encontramos la presencia tangible de Cristo entre nosotros. Fortalecidos por el Espíritu Santo, estamos unidos como un solo cuerpo -el cuerpo de Cristo- con la misión de encarnar el poder transformador del Amor tanto en nuestras vidas personales como en nuestras comunidades más amplias. Tanto si es un recién llegado como si es un miembro veterano, le invitamos cordialmente a participar plenamente en nuestra experiencia de culto.
Horario de los servicios:
10:30 am – Rito II Inglés – Eucaristía con música
12:30 pm – Rito II Español – Eucaristía con Coro
Por tanto, puesto que recibimos un reino que no puede ser sacudido, demos gracias, con lo cual ofrecemos a Dios un culto aceptable con reverencia y temor.
Hebreos 12:28
La corresponsabilidad es una parte importante de nuestra fe y retribuir a nuestra comunidad es una forma de expresar nuestra gratitud. En la Iglesia Episcopal de Todos los Santos, creemos que dar es un acto de adoración y una expresión de nuestro amor a Dios y al prójimo. Animamos a todos a dar generosamente, según sus posibilidades, y a dar con un corazón alegre.
Hay muchas maneras de dar en Todos los Santos, incluyendo dar en línea, y las ofrendas tradicionales durante los servicios de culto. También ofrecemos oportunidades de voluntariado y de compartir su tiempo y talento con nuestra comunidad.
Creemos que la corresponsabilidad no consiste sólo en dar dinero, sino también en ser buenos administradores de nuestro tiempo, nuestros talentos y nuestros recursos. Nos esforzamos por utilizar nuestros dones para servir a los demás y tener un impacto positivo en el mundo.
Si usted tiene alguna pregunta acerca de la corresponsabilidad o dar en Todos los Santos, por favor, póngase en contacto con nuestro clero o el personal. Estaremos encantados de orientarle y ayudarle a encontrar formas de donar que tengan sentido para usted.
Más información
La Iglesia Episcopal de Todos los Santos encarna un rico tapiz de historia, diversas tradiciones de culto y un firme compromiso con la teología inclusiva. Nuestro viaje comenzó humildemente en las salas de estar de familias devotas a principios de 1865, y durante más de 150 años, hemos fomentado un espíritu de calidez y amabilidad profundamente arraigado en nuestro legado. Consagrado en 1884, nuestro santuario exhibe una impresionante arquitectura que recuerda el estilo anglicano de la campiña inglesa, testimonio de nuestra perdurable presencia en la comunidad.
Conocida por su dedicación a la justicia social, la congregación de Todos los Santos participa activamente en diversas iniciativas humanitarias, abogando fervientemente por la igualdad, la reconciliación y la atención compasiva para todos. A través de nuestro culto litúrgico profundamente reverente, la exploración teológica reflexiva y el compañerismo inclusivo, Todos los Santos sigue brillando como un faro de iluminación espiritual y servicio a los demás, invitando a todos a unirse a nosotros en nuestro camino de fe y servicio.
Los miembros de nuestro equipo
Clero y personal
Joe Ricchiuti
Director
Ted Massey
GUARDIA JUNIOR
Peter Sardina
Pianista
All Saints' story began when several Episcopal families gathered for services in the living room of the George Hurlburt family. The community's commitment to worship soon led to the construction of our first church building in 1865 on the corner of Clifton Ave and First St.
In 1868, the Baptist families organized their own congregation and purchased the site of our present church on Madison Ave & Second St. In 1873, a significant exchange of land took place between the Baptist congregation and All Saints', resulting in the relocation of our original building to First Street between Lexington and Railroad Avenues.
The year 1884 marked a milestone for All Saints' as the church cornerstone was laid on March 24. Construction was completed that Autumn, and the church was consecrated on December 19 by the Rt. Rev. John Scarborough, the 4th Bishop of the Diocese of New Jersey.
In 1891, responding to the growing needs of the congregation, a new chancel, north and south transepts, organ chamber, and sacristy were added, nearly doubling the size of the church. The parish was officially incorporated in 1893, and on October 1 of that year, our parish hall was completed, with a service of blessing held on All Saints Day.
The completion of the Rectory in 1894, designed in the Tudor English style by Hal Allaire and built by John Grant, provided a home for the clergy. In 1903, the Rev. Edward Ernest Matthews, our 2nd rector, recognized the need for more space for Sunday School and parish groups, leading to the expansion of our Parish Hall with a westward addition.
Let's take a moment to appreciate the beauty of vintage postcards of All Saints Church.
Let's take a moment to appreciate the beauty of vintage postcards of All Saints Church.
Let's take a moment to appreciate the beauty of vintage postcards of All Saints Church.
Rev. David Louis Schwartz 1901 in memoriam
Given by Mrs. David L. Schwartz in memory of her husband January 11, 1903
The Rev. David Louis Schwartz served as our first rector from 1893 to 1901.
Here is our List of Rectors.
In loving memory of Douglas Chapin Nowell November 29, 1892 – September 13, 1911.
Presented by his mother Kate De Forest Easter 1917
Symbolism in the Banner:
Gold Crown Gold: Eternal, crown - kingship
IHS: A Christogram for the Holy Name of Jesus. The earliest example thus found was on a Byzantine gold coin. In a quatrefoil, four-lobed shape, for the four perfections of God; unity, power, goodness & wisdom.
Rays From the Cross: Radiant Glory of God
Gold Ring: Eternity
Tiercefeuilles: Father, Son & Holy Spirit, one God (a stylized three petal flower. Not a trefoil - a clover - and not a fleur-de-lis)
Christmas Rose: The Nativity of our Lord
The “Five Sisters" are a set of west-facing windows that are known for their beauty and historical significance. These windows are original and have been lovingly preserved over the years.
Symbolism in the West Windows
Quatrefoils four-lobed shapes for the four gospels (Matthew, Mark, Luke & John); the four cardinal virtues (temperance, justice, prudence & fortitude - St Ambrose, late 300s). 8-pointed star 8 - the regeneration of man. Jesus was given his name when he was 8 days old. Baptismal fonts have 8 sides.
Let her own works praise her
Caroline Crooke was a hard-working parishioner who donated much of her time, talent & treasure to All Saints. Dedicated in memory of her late husband, Henry S. Crooke (HSC), are our High Altar, and the windows above the High Altar.
Symbolism in the Plaque
☧ - One of the earliest forms of a Christogram. The first two, capital letters (ΧΡ) of the Greek word "ΧΡΙΣΤΟΣ" Christos).
Αω - The first & last letters of the Greek alphabet, representing the Alpha and Omega.
Poppies Remembrance. (stylized Poppy in the four corners)
In memory of Catherine Mary Kingdon [July 21, 1862 - March 24, 1866]
Symbolism in the Center Window
Suffer little children to come unto me (KJV) Mark 10:13-14 also: Matthew 19:13-14, Luke 18:15-16
Symbolism in the Side Windows
Αω - The first & last letters of the Greek alphabet; from the beginning to the end; everlasting
Quatrefoils - The four-lobed shapes for the four gospels (Matthew, Mark, Luke & John); the four cardinal virtues (temperance, justice, prudence & fortitude - St Ambrose, late 300s)
Empty Cross - Our risen Lord, Jesus
Left, Wisteria - Welcoming / enduring welcome
Right, Grape Vine - The presence of Jesus; "I am the vine," (KJV, John 15:5) the abundance of God's kingdom
Mrs. Mary Carter-Kingdon had three daughters: Catherine Mary Kingdon; Edith Maughan (Mary) Kingdon, the wife of George Jay Gould I; and Emily Margaret Kingdon. These windows were given in 1896, in memory of her first daughter, Catherine Mary. The center window was an Easter gift and the two side windows were a Thanksgiving gift.
"Come Unto Me", a.k.a. "Christ Blessing the Child (Children)", was a theme that Tiffany Glass Decorating Co. used in many commissions. Frederick Wilson designed the central panel. The flanking panels can be attributed to Agnes Northrop, who is credited with creating most of the Tiffany's windows that featured a floral design.
Please note the use of "Drapery Glass" in the center panel distinctive of the L.C. Tiffany Studios
Although the original gas lights are no longer functional, they are still present throughout the Nave. These gas lights are a testament to the history and architecture of the building and give an authentic feel to the space. They add a unique charm to the ambiance and create a sense of nostalgia.
In loving memory of Harriet l Vanderhoof 1891 given by Miss Josephine Vanderhoof
"The Light of the World" by William Holman Hunt
Symbolism in the Center Window
"Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will come in to him, and will sup with him, and he with Me." (KJV) Revelation 3:20
"The closed door was the obstinately shut mind, the weeds the cumber of daily neglect, the accumulated hindrances of sloth" Pre-Raphaelite Brotherhood, pg.350 - W Holman Hunt, 1905
The door in the painting has no handle, and can therefore be opened only from the inside.
"Thy word is a lamp unto my feet, and a light unto my path."
(KJV) Psalm 119:105
And the Mistletoe symbolizes love.
"Faith opens the way for the understanding." - Saint Augustine
In remembrance of A H M Jr. given by Mrs. Frank Freeman in memory of her father (A H Muller Jr.)
Symbolism in the Left Window
Red Cross - Episcopal churches do not usually have crucifixes - crosses showing the crucified Jesus. Instead, the crucifixion is represented by a red cross for the blood Christ shed for us all. The center window above the high altar also has a red cross.
Blue Background - Heavenly love & truth in His kingdom.
Grape Vine - The presence of Jesus; "I am the vine," (KJV, John 15:5) the abundance of God's kingdom
In memory of Anna L Welsh (1837-1906) given by Philip Randolph (1865-1940) in memory of his mother
Symbolism in the Right Window
Gold Cross - Faith in the Kingdom of God to come.
Book in Hand - The Bible. The Word. "In the beginning was the Word, and the Word was with God, and the Word was God." - John 1:1
Blue Robe - Heavenly love & truth.
White Garment - Purity, joy & the bright light of truth.
"The Gorham Manufacturing Company went through a rapid downsizing in the mid-1980s. To the best of our knowledge, records of Gorham's short-lived Stained Glass division have unfortunately not survived."
Holly Snyder, Curator of American Historical Collections. Gorham archives / Brown University, Providence, RI
In memoriam CHK Jr. (Charles Henry Kimball Jr, 1871-1889)
Symbolism in the Center Window
Red Cloak - John was a martyr
Scroll In Left Hand - His preaching, a voice crying out in the wilderness
Bowl In Right Hand - To Hold Water For Baptizing
Staff - The cross of Christ; foreshadows the sacrifice of Jesus
Symbolism in the Side Windows
Rocks, Sand & Cactus The desert where John lived
Crocus Flowers The forerunner of Spring, as John was a forerunner of Jesus Christ
In 1908, Laura Stinson Kimball commissioned these windows from the J&R Lamb Studio in New York City. Charles Henry Kimball married Laura Stinson Porter in 1868. Charles Henry Kimball Jr, their first born, arrived three years later.
In 1890 (NY Times ref), Charles H. Kimball Sr. retired from business in New York and announced intention to give his undivided attention to Lakewood for some time to come. Like John the Baptist, Charles Kimball was the voice crying out in the wilderness of the New Jersey Pine Barrens. Mr. Kimball was the President of the Lakewood Hotel and Land Association, and it is to his enterprise and energy that the village is most largely indebted for its phenomenal growth.
Original painted in 1523 by Andrea del Sarto. (Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore)
This wooden Budded Cross, symbolizing the Triune nature of God, was meticulously crafted by a talented parishioner at the request from Rev. Herbert Draesel. Used in "The Veneration of the Cross," a practice dating back to fifth-century Jerusalem, it holds profound significance. The Roman Catholic Church formally embraced this practice in the seventh century.
On Good Friday, many churches observe this devotion. The clergy and congregation approach a cross or crucifix one by one, demonstrating respect for its profound symbolism. This gesture typically involves kneeling or bowing. In medieval England and Germany, individuals expressed their reverence for Jesus' suffering and sacrificial death by crawling on their hands and knees to reach the cross.
George Edgar Underhill 1821 – 1884 given by Mrs. Cora L Underhill in memoriam of her husband (bronze plaque)
His wife Cora L Underhill Died July 20, 1914
Symbolism in the Left Window
Easter Lilies - The Heavenly trumpets that heralded the resurrection of Jesus.
Henry Dithmar 1824 - 1889 given by Mrs. Henry Dithmar in memoriam of her husband
Symbolism in the Right Window
White Cross - Jesus resurrection. White also symbolizes purity, joy and the bright light of truth.
Passiflora - Passion Flowers
In memory of The Rev. R Dudley Bennett given by Marcia Bennett, wife, 2019
Rembrandt's final masterpiece is his painting of the Return of the Prodigal Son. It conveys the Christian concept of mercy with exceptional solemnity. His depiction of religious mood and human sympathy surpasses all other Baroque artists. The father and the Prodigal Son are the central figures of the painting. The painting represents a symbol of all homecomings, of the darkness of human existence illuminated by tenderness, of weary and sinful mankind taking refuge in the shelter of God's mercy.
AHS 1840, Truman Hart 1858, Susan C Hart 1875, SHP 1890, AEM 1876 [Feb 7, 1838]
Symbolism in the North Transept Window
Wisteria - Welcome / enduring welcome wisteria can live over 100 years
The four Gospels Tetramorph - Matthew - winged man, Mark - winged Lion, Luke - winged ox or bull
John - eagle or roc
Given in Loving Memory by Mrs. Helen M. Strong
(about Mrs. Strong)
AHS 1840 - (sister) Abby Louisa Hart-Strong, 1814-1840. Abby married Theron Rudd Strong, 1833. They named their first-born Truman Hart [Strong], 1834-1858.
AEM 1876 - (sister) Anne Elizabeth Mumford, 1816-1876.
TRUMAN HART 1858 - (father) Truman Hart, 1784-1838.
SUSAN C HART 1875 - (mother) Susan Carpenter-Hart, 1795-1875
SHP 1890 - (sister) Susan Augusta Hart-Palmer, 1824-1890
The orientation of the pews in the North Transept is not ideal for viewing the Altar or the Priest during the Service. These pews were originally free and unnumbered, intended for those who could not afford a better seat. In the 1800s, families would pay for a numbered pew in the Nave, where they would have a designated seating area. For example, Pew #6 was owned by the Gould family.
In 1885, the original organ built by William A. Johnson & Son of Westfield, Massachusetts was installed. The organ was dedicated "In Memory of Mrs Gertrude Leslie" on June 30th, 1886, and was known as the voice of Praise and Thanksgiving.
In 1891, a new organ chamber was added to the church building. Around the same time, Arthur B Clute became the organist of All Saints' Church. He rode his bicycle from his home in Toms River to Lakewood every Sunday to serve the church, only missing two Sundays during his 41-year tenure.
In 1936, the church's organ was modernized by installing an electric blower, which eliminated the hand-pumped bellows. The organ was dedicated "In Memory of Elizabeth Burdge Davidson".
The church installed a chimes-amplifier in 1946 and replaced the old organ with a Reuter pipe organ in 1958. Inge Stockman became All Saints' organist in 1959, and she would hold the position for 34 years.
In 1972, the Reuter organ had four ranks of pipes added to it. In 1994, the 8-foot trumpet stop was revoiced in an effort to better lead congregational singing, and the work was done by Edward Hillis and Richard Davidson.
In 1996, George Montgomery donated a 16-foot extension to the trumpet stop of the Reuter organ as a memorial to his wife. In 2000, necessary roof work allowed the expansion of the organ chamber to its present size, providing more room to expand the range of the organ itself.
The memory of the just is blessed Α ☧ Ω
In memory of Augusta Hull Platt Jan 22, 1890 given by Frederick A. Platt in memory of his wife
Symbolism on the Front
☧ - One of the earliest forms of a Christogram. The first two, capital letters (ΧΡ) of the Greek word "ΧΡΙΣΤΟΣ" (Christos).
Α Ω - The first & last letters of the Greek alphabet, everlasting.
Symbolism on the Side Panels
Easter Lilies - The Heavenly trumpets that heralded the resurrection of Jesus.
Our High Altar, as per tradition, faces East , where the windows beautifully capture the rising sun. At sunrise, the windows, initially dark, gradually lighten from top to bottom, resembling a lowering curtain, revealing the "IHS" Christogram for the Holy Name of Jesus on the red cross symbolizing the crucifixion. It is worth noting that Episcopal churches typically do not have a "Crucifix", but they may have a "Christus Rex".
Symbolism in the Center Window
Gold Crown - Kingship of Jesus. Power, legitimacy, victory, triumph, honor, and glory; as well as immortality, righteousness and resurrection.
Palms in Crown - Palm Sunday, start of Holy Week, Jesus enters Jerusalem hailed as a King.
IHS - A Christogram for the Holy Name of Jesus. In white letters; the color of purity, joy, and eternal life. Jesus new life transcends death. The earliest example thus found was on a Byzantine gold coin.
Red Cross - The blood that Jesus shed for us all on Calvary.
Passiflora - Passion flowers; Holy Week.
Bottom Inscription - IN + MEMORIAM + HSC (Henry Suydam Crooke)
Symbolism in the Side Windows
Sun & Moon - Genesis, the first book of the Bible, tells us that God made the sun and moon on the fourth day of creation. The power of light to shine through the darkness, as good will shine over evil. The phases of the moon also symbolize immortality and eternity, the rhythm of time.
Easter Lillies - Eternal Life
Poppies - Peace, rest, remembrance
Bottom Inscription - I believe in the communion of Saints "The communion of saints is the whole family of God, the living and the dead, those whom we love and those whom we hurt, bound together in Christ by sacrament, prayer, and praise." 1979 BCP, pg.862
Symbolism in our High Altar
HOLY-HOLY-HOLY - The sanctity of the Triune nature of God; the Father, the Son & the Holy Spirit.
THIS DO IN REMEMBRANCE OF ME - The words that Jesus used when He instituted the Last Supper, from Luke 22:19 or 1 Corinthians 11:24 (both KJV). It is interesting to note that the NRSV we use today has, "Do this in remembrance of me".
IHS - A Christogram for the Holy Name of Jesus. The earliest example thus found was on a Byzantine gold coin. Jesus - in the center; the center of our lives.
Α Ω - The first and last letters of the Greek alphabet; from the beginning of time to the end of time.
Front of Baptismal Font
The Promise is unto You and to your Children.
(KJV) Acts 2:38-39
Top of Baptismal Font
In the name of the Father and of the Son and of the Holy Ghost
(NRSV) 1 Peter 3:20-21
Insert to Baptismal Font
Given in loving memory of Wilma Nettleship
Rear Shelf
In memoriam D L S (The Rev David Louis Schwartz)
Around the Rear Shelf
One Lord + One Faith + One Baptism
Baptistry Iron Gates
To the Glory of God and in memory of William K Strong A.D. 1805 - 1867
Erected by Helen M Strong AD 1891
Baptismal Ewer
+ In Memoriam + Rev David Louis Schwartz Rector of All Saints Memorial Church + 1901
The Light above the Font and the Baptistry gates are from L.C. Tiffany Studios
This icon by the monks of the Light of Christ Monastery in Borrego Springs, California. It was given to the church by Gloria Cole-Smith in thanksgiving and love of her mother Nellie H. North and her sister Anise E. Stephens. The icon was dedicated on the Day of Pentecost, which fell on May 30th, 2004. According to biblical writings, angels played an important role in the life of St. Mary.
To the Glory of God and in loving memory of William Ives Budington DD. By his daughter Elizabeth Budington Beard AD 1891
Symbolism in the Window
Center Gold Cross - The golden radiance of our Father
32 Sunbeams - The age of Jesus when He was crucified
Α Ω - The first & last letters of the Greek alphabet, everlasting
Wisteria - Illustrated as just the vine, symbolizes the enduring closeness and love that the Father has for us
The four Gospels - Luke - winged ox or bull, John - eagle or roc, Matthew - winged man, Mark - winged Lion
Original painted in 1881 by Heinrich Hofmann.
Putti, or singular putto, are nude, chubby child figures often depicted with wings, commonly found in mythological and religious paintings and sculptures, particularly during the Renaissance and Baroque periods.
It's important to note that putti are distinct from Cherubim, which are one of the Choirs of Angels. Putti are not considered angels or Cupids, although they are often depicted alongside angels or in contexts that suggest angelic associations in art.
While the terms Cherub and Putto are often used interchangeably, some artists and art enthusiasts may prefer to use "Putti" to convey a more nuanced understanding of these figures, suggesting a deeper appreciation for their historical and artistic significance.
Original painted in 1514 by Raphael Santi.
At All Saints Church, there's a peaceful area with a statue of Our Lady of Guadalupe. It's a perfect place for private prayer and meditation, and you can offer prayers for healing and wholeness.
The statue of St. Mary was blessed and placed in this area by Hispanic members of the congregation in 2012. It's dedicated to Our Lady of Guadalupe, the patron saint of Mexico and the Americas.
According to tradition, Juan Diego had a vision of Mary in 1531. She asked him to build a church on the hill where they stood. After receiving this request, the Bishop asked for proof. Later, as Juan Diego crossed the hill again, the vision reappeared and showed him where to find roses. He put them in his cloak, and they turned into the image of the Virgin of Guadalupe. Many miracles have been associated with this image.
A shrine to the Virgin of Guadalupe has existed on the site since at least 1556. The story of Mary's appearance to Juan Diego was codified by Miguel Sánchez in 1648 and has been widely accepted as accurate.
+ IC XC NI KA ++ In loving memory of + Henry Haight Piffard February Twenty-Eight MDCCCLXIX + September
Twenty-Seventh MDCCCXCII ++ for his soul pleased The Lord + there-fore hastened he to take him +
He was 23 years old. 1869 – 1892
+
I H S
Christogram
Jesus Holy Name
